Getting Saroj Khan to choreograph “Yeh ishq haye” for “Jab We Met” was purely coincidental. We have been already taking pictures in Manali. We have been talking to choreographers in Mumbai to come back and be a part of the unit, after which it simply occurred that she was there in Manali. She was taking pictures for one more movie.
(Saroj Khan received her third National Award as choreographer for the track “Yeh ishq haye” in Imtiaz Alis 2007 movie, “Jab We Met”, which was picturised on Kareena Kapoor. Ali recollects how Khans choreographing the track occurred by sheer coincidence, and likewise how they might collaborate once more in his 2009 movie “Love Aaj Kal”)
I assumed it will be one of the best factor on the planet if she agreed to do my movie. So I met her on the resort. Her work was over for the opposite movie. There have been seven to 10 days in between, so I requested her if she might keep again for these seven or 10 days. She agreed, after which she shot our track. In these seven to 10 days, she labored relentlessly. We had round 70 dancers from completely different locations in Himachal Pradesh. She would rehearse constantly with them.
She was actually a pleasure to work with. After the taking pictures of the track was over, I requested her if she might dance to the entire track — the components that Kareena (Kapoor) had performed within the track. She danced for all of us — there have been 200 to 300 individuals, and she or he danced for all of us! That was probably the most thrilling factor I’ll bear in mind about her.
As for her working type, she was very clear concerning the process. She by no means appeared to be in a rush, she was very calm. I bear in mind her phrases, she stated, “You can reject my concepts as many occasions as you need. Iss dukan mein saman bohot hai (there are many merchandise on this store), so should you do not like one thing, fikar matt karna (don’t be concerned), I’ll do one thing else’. She was quite simple, simple and methodical to work with. I actually preferred her.
Directors and choreographers are often at loggerheads due to the other ways they wish to shoot a track, however she was very simple. I completely loved her firm.
After profitable the National Award, she referred to as me. She behaved like a young person – she giggled away! She stated ‘I’ve bought a National Award’ with a lot pleasure.
We labored collectively once more in “Love Aaj Kal”. There was one Indian track, a Saroj Khan sort of track. Working together with her for the second time, the consolation stage was the identical as a result of, for an expert, the consolation zone all the time stays the identical. It was very good to have her on set as a result of she knew what a director’s issues can be. She had sense of humour. We used to name her Masterji. We had regard and heat for one another.
I’d have liked to a different movie together with her, however it by no means occurred.
I might need linked together with her within the passing. But I bear in mind her extra for the expertise of working together with her, and that cellphone name she made after profitable the award.
Her dance, the best way she danced, was so stunning. That is how I’ll bear in mind her.
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